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te-provided-by-an-untitled-minuet-termed-by-liszt-as-a-flower-between-two-abysses-to-the-passionate-unremittingly-tragic-finale-interestingly-there-is-little-contrast-within-any-of-the-movements-each-seems-to-be-cut-from-only-one-piece-of-cloth-theoretically-the-opening-movement-can-be-parsed-into-a-structure-containing-all-the-elements-of-sonata-allegro-form-however-such-an-analysis-barely-describes-this-wondrous-composition-which-sounds-more-formless-than-possibly-any-other-movement-he-wrote-two-characteristics-of-the-final-movement-which-is-in-a-far-more-recognizable-sonata-allegro-form-bear-noting-the-first-three-notes-in-the-right-hand-are-identical-to-the-accompanying-triplet-figure-in-the-opening-movement--also-as-in-several-other-of-his-sonatas-the-movement-seems-to-run-out-of-steam-shortly-before-the-conclusion-of-the-work-and-pauses-briefly-before-heading-for-the-final-bar0.5